Audio files come in dozens of formats, and each situation demands something different: streaming services want AAC, podcasts require MP3, audio engineers need WAV or AIFF, archivists prefer FLAC, and voice chat apps use OPUS. ChangeThisFile converts between all major audio formats using FFmpeg — free, server-side, with no signup and no retained files.

All audio conversion happens on our servers. Your file is uploaded over encrypted HTTPS, converted by FFmpeg, and the output is returned to your browser. The original and converted files are automatically deleted after conversion. The 50MB upload limit applies to audio files.

Supported Audio Formats

ChangeThisFile converts between all of the following audio formats. Click any conversion pair to go directly to that converter:

Lossy vs Lossless Audio Formats

The most important concept in audio conversion is the lossy vs lossless distinction. It determines whether quality is permanently lost during conversion.

Lossy Formats: Smaller Files, Permanent Quality Loss

Lossy formats (MP3, AAC, OGG, OPUS, WMA) compress audio by permanently discarding inaudible or less-important audio data. A 10MB WAV file might become a 1MB MP3 — a 90% reduction. The tradeoff: the discarded data is gone forever. Converting a lossy file to another lossy format compounds the quality loss (called "generation loss"), because the encoder is working with already-degraded audio.

Key rule: Never convert lossy to lossy unless compatibility requires it. Converting MP3 to AAC for streaming won't improve quality — it will slightly degrade it. Convert from lossless originals (WAV, FLAC, AIFF) to your target lossy format instead.

FormatAlgorithmTypical BitrateUse Case
MP3MPEG-1 Layer III128-320 kbpsUniversal compatibility
AACAdvanced Audio Coding128-256 kbpsApple ecosystem, streaming
OGGVorbis64-500 kbps (VBR)Gaming, open-source projects
OPUSIETF RFC 67166-510 kbpsVoice chat, WebRTC, streaming
WMAWindows Media Audio48-320 kbpsLegacy Windows audio

Lossless Formats: Perfect Quality, Larger Files

Lossless formats (WAV, FLAC, AIFF) compress audio without discarding any data. A FLAC file decoded to WAV is bit-for-bit identical to the original — there's no quality difference between them, only a file size difference.

Converting between lossless formats is always safe. Converting WAV to FLAC to save space, then FLAC back to WAV for editing, introduces zero quality loss. This makes lossless formats ideal for archiving and editing source material.

FormatCompressionTypical Size vs WAVUse Case
WAVNone (PCM)100% (baseline)Audio editing, professional production
FLACLossless40-60% of WAVArchiving, high-res music libraries
AIFFNone (PCM)~100% (same as WAV)macOS/Logic Pro environments

Understanding Audio Quality Settings

When converting to lossy formats, bitrate is the primary quality lever. Higher bitrate = better quality = larger file.

BitrateQuality LevelBest For
64 kbpsLow — noticeable artifactsVoice recordings, podcasts with poor source quality
128 kbpsAcceptable — transparent to most listenersCasual listening, mobile streaming
192 kbpsGood — transparent to most listeners in most conditionsMusic streaming, general use
256 kbpsVery good — near-transparentHigh-quality streaming, audiophile casual
320 kbpsExcellent — transparent to all listenersMaximum quality lossy distribution

OPUS is different: OPUS achieves CD-quality audio at just 128kbps, and very good voice quality at 24kbps. At 96kbps, OPUS sounds better than 128kbps MP3. It's the most efficient format at low bitrates.

Sample rate and bit depth: CD quality is 44.1kHz / 16-bit. High-resolution audio goes to 96kHz or 192kHz, and 24-bit. For most conversion tasks, preserving the source sample rate and bit depth is correct. Downsampling from 96kHz to 44.1kHz is irreversible — only do it deliberately.

When to Use Each Format

  • MP3: When universal compatibility is the top priority. Every device, car stereo, streaming platform, and podcast app supports MP3. Use 192kbps for music, 128kbps for voice/podcasts.
  • AAC: When targeting Apple devices, YouTube, or streaming services. Better than MP3 at the same bitrate, and natively supported by all Apple hardware. Use 256kbps for music.
  • WAV: When editing audio or delivering to a recording studio. Uncompressed, so no generation loss through edits. The 10x file size vs MP3 is worth it when you're working on a project rather than distributing it.
  • FLAC: When archiving your music library in lossless quality. FLAC is ~50% smaller than WAV while being bit-for-bit identical on decode. The format is widely supported by music players and NAS devices.
  • OGG: When working with open-source projects or games. Ogg Vorbis has no patent restrictions and is used in many game engines. Also native on Android.
  • OPUS: When streaming audio at low bitrates, especially voice. Discord, WhatsApp, and most WebRTC implementations use OPUS. The best codec for voice calls and low-bandwidth streaming.
  • M4A: When working within the Apple ecosystem. M4A is AAC in an MPEG-4 container — functionally identical to AAC but with better metadata support. iTunes purchases are M4A.
  • AIFF: When working in Logic Pro or a macOS-centric audio workflow. AIFF is Apple's equivalent of WAV — same quality, slightly different metadata handling.
  • WMA: Only when compatibility with old Windows Media Player libraries requires it. WMA has no technical advantages over AAC or MP3 and is primarily a legacy format.

Audio Format Size and Quality Comparison

Benchmark: 3-minute stereo music track at 44.1kHz / 16-bit, converted from a lossless WAV source (31.5 MB). File sizes are for the full 3-minute track.

FormatFile SizeBitrate / CompressionQuality vs SourceBest For
WAV (source)31.5 MB1411 kbps (uncompressed)ReferenceAudio editing, studio delivery
AIFF31.5 MB1411 kbps (uncompressed)Identical to WAVmacOS / Logic Pro workflows
FLAC18.2 MBLossless (~58% of WAV)Bit-for-bit identicalArchiving, lossless music libraries
MP3 (320kbps)7.1 MB320 kbpsTransparent to all listenersMaximum quality distribution
AAC (256kbps)5.7 MB256 kbpsBetter than MP3 320kbpsApple ecosystem, streaming
MP3 (192kbps)4.3 MB192 kbpsTransparent to most listenersMusic streaming, general use
OGG (~160kbps VBR)3.6 MB~160 kbps VBRComparable to MP3 192kbpsGames, open-source projects
MP3 (128kbps)2.9 MB128 kbpsAcceptable; artifacts on critical listeningCasual listening, podcasts
AAC (128kbps)2.9 MB128 kbpsBetter than MP3 128kbpsMobile streaming, podcasts
OPUS (128kbps)2.9 MB128 kbpsBest lossy quality at this bitrateStreaming, voice chat
OPUS (96kbps)2.2 MB96 kbpsMatches MP3 128kbps at 25% smallerLow-bandwidth streaming
WMA (128kbps)3.0 MB128 kbpsComparable to MP3 128kbpsLegacy Windows compatibility only

Key findings: OPUS is the most efficient lossy codec — 96kbps OPUS matches 128kbps MP3 quality at a 25% smaller file. AAC consistently beats MP3 at every bitrate for the same file size. FLAC gives you lossless quality at 58% of WAV's size with zero quality compromise. The only reason to choose WMA is compatibility with old Windows Media Player libraries.

Privacy and Security

All audio conversion on ChangeThisFile runs server-side using FFmpeg. Your audio file is uploaded over HTTPS (encrypted in transit), converted on our servers, and automatically deleted after conversion. We don't store, analyze, or share your audio files. No account is required.

For audio files containing sensitive content (recordings, voice memos, confidential interviews), be aware that the file does travel to and from our servers during conversion. The 50MB upload limit applies. Files over 50MB should be split or compressed before uploading.

ChangeThisFile handles every common audio format conversion: lossy-to-lossless (MP3 to WAV), lossless-to-lossy (WAV to MP3 for distribution), between lossless formats (WAV to FLAC for archiving), and any combination of the nine formats above. Pick your source and target format, upload your file, and download the converted audio — free, no watermark, no signup. For best results when converting to a lossy format, always start from the highest-quality source available.